EVENT TYPE > Technical Direction

Technical Direction

Sunday, September 18th 2016
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About the workshop

This workshop will train the participants in the direction and management of technical theatre, looking at areas such as the construction and installation of sets, the installation and interaction of lighting, sound, and projection in the lead up to a production, and the interaction between a theatre production and a theatre venue during the installation and run of a show. In particular, this workshop will focus on technical direction for theatre venues in Whitehorse, and in other venues around the Yukon Territory.

When? & Where?

Sunday Sept. 18, 2-8pm, Centre de la francophonie’s Training Room (2nd floor)

For whom?

For people with some experience in technical direction and/or lighting design. Ages 16 and up.

How much?

$30. Advance registration recommended as space is limited.
(Please contact us if this fee is a barrier to you.)

To register call us at 393-2676 or email us.

About David DeGrow

David HeadshotTemplate Website David is a designer, production manager, teacher and academic. Recent lighting designs include: A Moment of Silence (Nowadays/Modern Times); Pyaasa (Theatre Passe Muraille); Tap-Ex: Metallurgy (Tapestry); The Beaux’ Stratagem and The Enchanted (George Brown); Monday Nights (Sixth Man/Theatre Centre); Morro & Jasp: 9-5 (UNIT Productions/Factory Theatre); Something Old, Something New, Something Borrowed, Something Blue (Spiderwoman/Native Earth); Tapestry Briefs: Booster Shots (Tapestry Opera); Dreaming of Rob Ford (Mike Daisey/Crow’s Theatre); The Hours That Remain (Gwaandak/New Harlem), Of Mice and Morro and Jasp (UNIT Productions); The Power of Harriet T (Carousel Players); the tin drum (Unspun Theatre); Passion Play (Outside the March/Sheep No Wool/Convergence); 501: Toronto in Transit (Theatre Passe Muraille); Almighty Voice and his Wife (Native Earth). David is Co-Artistic Director of Theatre Jones Roy, and has worked as a Production Manager and Technical Director for Mirvish Productions, Luminato Festival, the National Arts Centre, Canadian Stage, Theatre Passe Muraille, Native Earth, Modern Times, Company Theatre, Birdland Theatre, Unspun Theatre, Outside the March, Convergence Theatre, Sheep No Wool, and the Mission Business among others. David has been nominated for three Dora Mavor Moore Awards, and is in the third year of his PhD at the University of Toronto. His research focuses on performance spaces and how they shape, and are shaped by, the theatre companies that use them.

Public Funders

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